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X-WR-CALNAME:Atelier & Kunst von Dietmar Brixy
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DTSTART;TZID=Europe/Berlin:20260910T080000
DTEND;TZID=Europe/Berlin:20260913T170000
DTSTAMP:20260911T073119
CREATED:20260819T124430Z
LAST-MODIFIED:20260819T130659Z
UID:15536-1789027200-1789318800@brixy.de
SUMMARY:POSITIONS Berlin Art Fair 2026
DESCRIPTION:Dietmar Brixy at POSITIONS Berlin Art Fair 2026\nGalerie Tammen presents recent works from the WANDERLUST series \n  \nFrom 10 to 13 September 2026\, Dietmar Brixy will be represented by Galerie Tammen at POSITIONS Berlin Art Fair. The thirteenth edition of the international art fair will take place in Hangars 5 and 6 of the former Tempelhof Airport. As the official art fair of Berlin Art Week\, POSITIONS brings together 96 galleries from 20 countries\, offering a concentrated view of significant positions in modern and contemporary art. \n  \nThe vast\, light-filled hangars of the former airport provide far more than an extraordinary architectural setting. Across more than 10\,000 square metres\, international galleries\, artists\, collectors and art enthusiasts come together. Special exhibitions\, talks and an extensive accompanying programme make POSITIONS one of the central meeting points of Berlin’s autumn art season. \n  \nGalerie Tammen will present selected works by Dietmar Brixy from his current series WANDERLUST\, continuing the longstanding collaboration between the artist and the Berlin gallery. \n  \n \n\n\n  \nWANDERLUST as a state of inner movement\n  \nIn WANDERLUST\, Dietmar Brixy takes up the idea of landscape without tying it to any specific place. His paintings do not tell of a particular destination. Instead\, they explore the longing for departure\, transformation and a sense of inner expansiveness. \n  \nHorizons\, waterways\, organic forms and topographical structures seem to emerge for a moment before dissolving once again into the movement of colour. The familiar merges with the undefined\, creating pictorial spaces suspended between memory and imagination\, the experience of nature and an inner landscape. \n  \nBrixy’s painting always remains direct and physical. Oil paint is applied\, shifted\, compressed\, opened up and layered once more. Traces of hands\, tools and movement remain visible and become part of the image itself. Through this intensive process\, a form of painting emerges that combines a powerful material presence with a remarkable sense of spatial openness. \n  \nFor Brixy\, WANDERLUST is therefore not an escape from reality. The series understands the act of setting out as an inner attitude: a willingness to leave the familiar behind\, to allow new perspectives to emerge and to embrace the unknown. Viewers do not simply stand before these landscapes. They become part of a movement whose direction remains open. \n  \n \nWanderlust\, 2026\, Öl auf Nessel\, 160 x 100 cm \n  \n  \nBetween Berlin and Venice\n  \nBrixy’s presentation at POSITIONS Berlin comes at a particularly significant moment in his 2026 exhibition programme. Almost simultaneously\, his exhibition WANDERLUST will open at Palazzo Bembo in Venice. While Galerie Tammen presents his work as part of Berlin Art Week\, the series will be explored in greater depth through an extensive exhibition in Venice. \n  \nIn September\, Brixy’s work will therefore be present in two places that speak\, in very different ways\, of movement\, history and encounter: the monumental architecture of the former Tempelhof Airport and Palazzo Bembo on Venice’s Grand Canal. \n  \nVisitor Information\n  \nPOSITIONS Berlin Art Fair\n10–13 September 2026 \nOpening Evening\nThursday\, 10 September 2026\n6–9 pm \nVIP Preview\nFriday\, 11 September 2026\n12–2 pm\, with VIP card only \nPublic Opening Hours\nFriday\, 11 September 2026: 2–8 pm\nSaturday\, 12 September 2026: 11 am–7 pm\nSunday\, 13 September 2026: 11 am–6 pm \nVenue\nTempelhof Airport\nHangars 5–6\nTempelhofer Damm 45\n12101 Berlin\nGermany \n 
URL:https://brixy.de/en/event/positions-berlin-art-fair-2026
CATEGORIES:Exhibition,News
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DTSTART;TZID=Europe/Berlin:20260913T100000
DTEND;TZID=Europe/Berlin:20261021T180000
DTSTAMP:20260911T073119
CREATED:20260730T113324Z
LAST-MODIFIED:20260730T122026Z
UID:15426-1789293600-1792605600@brixy.de
SUMMARY:PALAZZO BEMBO - VENICE
DESCRIPTION:BRIXY – WANDERLUST\nExhibition at Palazzo Bembo\, Venice\n  \nWith his exhibition WANDERLUST\, on view from 13 September to 11 October 2026 at the renowned Palazzo Bembo near the Rialto Bridge and running parallel to Biennale Arte 2026\, Dietmar Brixy presents a multifaceted panorama between dream and reality. The exhibition forms part of Personal Structures – Confluences\,  the international exhibition organised by the European Cultural Centre Italy.  \n  \nWith WANDERLUST\, Dietmar Brixy returns to Venice. His works were already presented at the Biblioteca Nazionale Marciana on St Mark’s Square in 2024. The exhibition attracted approximately 27\,000 visitors. Two years later\, Brixy now devotes an extensive presentation at Palazzo Bembo to a theme that has accompanied his work for many years: the longing for departure\, transformation and inner expansiveness. \n \n  \nWanderlust as an Inner Attitude\nThe title refers to a term that originated in German and has long since entered several European languages. Originally deeply rooted in Romantic ideas of nature\, movement and self-discovery\, wanderlust describes less a concrete destination than an inner attitude: the desire to set out and to experience the journey itself. In Brixy’s paintings\, this attitude becomes visible in gestural traces\, concentrations and movements of colour that lead through unknown terrain like paths. \n  \nFor Dietmar Brixy\, the term wanderlust therefore describes far more than the desire to travel or to leave a geographical location. It represents an inner attitude between dream and reality\, between memory and expectation\, between the familiar and the still unknown. Wanderlust begins where certainties are set in motion. It describes the desire to cross existing boundaries\, to allow new perspectives and to engage with experiences whose destination has not yet been determined. \n  \nBrixy’s painting is an expression of this movement. His images do not lead to clearly identifiable places. Instead\, they open spaces in which external landscape and inner perception merge. Memories\, travel experiences\, observations of nature and imagination combine to form multilayered visual worlds that oscillate between figuration and abstraction\, depth and surface\, stillness and dynamism. \n  \nHorizons emerge and disappear again. Lines rise\, develop into loops\, currents and forms reminiscent of vegetation\, or lead the eye into an indeterminate distance. Fields of colour overlap\, condense and break open once more. In this way\, landscapes emerge that depict less a concrete place than a particular state of being. \n  \n \nWanderlust\, 2026\, oil on canvas\, 210 x 160 cm \n  \nBetween Journey and Wanderlust\nThe exhibition brings together works from the Journey and Wanderlust series in particular. Both revolve around movement\, perception and transformation\, while placing different emphases. \n  \nWith the Journey series\, Brixy developed a contemporary form of landscape painting that does not aim to reproduce a specific place. Instead\, landscape appears as a multilayered pictorial space in which memory\, experience and imagination merge. \n  \nLayered horizons\, luminous fields of colour and relief-like applications of paint create an impression of depth\, expansiveness and movement. Linear courses rise\, condense into loops and currents\, or guide the eye through the image. The materiality of the paint always remains visible. It does not merely describe landscape\, but shapes it as a physically perceptible space. Wanderlust continues this exploration and focuses more strongly on the moment of departure. It addresses the longing for distant places\, but also the question of what happens when one leaves a familiar state without yet knowing what lies ahead. In this sense\, it is not an escape\, but rather represents openness\, curiosity and a willingness to be transformed. The journey does not only lead through external spaces. It also becomes an encounter with one’s own perception. \n  \n \nJourney\, 2023\, Öl auf Nessel\, 120 x 300 cm \n  \n  \nCondensed Visual Worlds – The Bubbles\nA further emphasis within the exhibition is provided by a concentrated presentation of Brixy’s characteristic Bubble paintings. In their circular formats\, the painting condenses into independent\, self-contained visual worlds. \n  \nThe circular form has neither a clear beginning nor an end. It directs the gaze inwards and allows colour\, movement and structure to circulate as if within a cosmos of their own. Vegetal forms\, luminous fields of colour and relief-like surfaces combine to create compositions that evoke growth\, nature\, energy and continuous transformation. \n  \nWithin WANDERLUST\, the Bubbles appear like painterly concentrates. While the large-format works open into the distance and guide the eye through multilayered landscapes\, the circular works concentrate movement and perception within a limited space. They invite the viewer to pause and discover the subtle transitions\, overlaps and material traces of paint at close range. At the same time\, they take up a central idea of the exhibition: every journey does not proceed only in a linear direction from a starting point to a destination. It also consists of cycles\, recurring memories\, inner movements and moments of concentration. \n  \n \n  \nWanderlust Bamboo Bubble\, 2025\, oil on canvas\, D 160 cm \n  \nVenice as a Space of Resonance\nPalazzo Bembo provides a distinctive architectural and atmospheric setting for WANDERLUST. The historic building is located directly on the Grand Canal\, opposite the Rialto Bridge. Its rooms bear the traces of different eras and enter into a dynamic dialogue with Brixy’s contemporary and physically present painting. \n  \nVenice itself is also a city of transitions. Water and architecture\, movement and stillness\, past and present permeate one another. Perspectives change with every step\, paths end unexpectedly at the water and continue elsewhere. The city appears real and at the same time remote\, familiar and mysterious\, enduring yet constantly undergoing transformation. \n  \nAgainst this background\, the title WANDERLUST acquires particular significance. The city is not merely the setting for the exhibition\, but becomes a space of resonance for its central questions: What does it mean to set out? Where does a journey begin? When does external movement become an inner experience? And can pausing be just as meaningful as continuing onwards? \n  \n \nAn Invitation to Embark on One’s Own Journey\n  \nThe exhibition speaks of the longing for distant places and\, at the same time\, of the discovery of the self. It is about the courage to cross familiar boundaries\, openness towards the unknown and those moments in which perception changes. \n  \nWANDERLUST thus becomes a journey between dream and reality\, between the external world and inner experience. The focus is not on reaching a particular destination\, but on the experience of being on the way. \n  \n  \nExhibition\nBRIXY – WANDERLUST\nSpecial Project in Personal Structures – Confluences \n13 September to 11 October 2026 \n  \nPalazzo Bembo\nRiva del Carbon 4793\n30124 Venice\, Italy \nOpen daily from 10:00 am to 6:00 pm\nClosed on Tuesdays\nAdmission free \n  \nOpening\nSaturday\, 12 September 2026\, 5:00 pm \nThe opening address will be delivered by Prof. Dr Beate Reifenscheid\, curator of the exhibition and Director of the Ludwig Museum Koblenz. The artist will be present. \nThe exhibition\, initiated by the internationally renowned art expert and curator Dirk Geuer\, is realised by the non-profit Association for Art in Public. As a Special Project\, it forms part of the eighth edition of Personal Structures\, the contemporary art exhibition organised by the European Cultural Centre Italy. Under the title Confluences\, it creates spaces of encounter in a present shaped by upheaval and transformation.
URL:https://brixy.de/en/event/palazzo-bembo-venedig
CATEGORIES:Exhibition,News
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20260925T080000
DTEND;TZID=Europe/Berlin:20261018T170000
DTSTAMP:20260911T073119
CREATED:20260804T133916Z
LAST-MODIFIED:20260804T141533Z
UID:15502-1790323200-1792342800@brixy.de
SUMMARY:BRIXY – ADVENTURE
DESCRIPTION:ADVENTURE\n  \nFrom 25 September to 18 October 2026\, Dietmar Brixy will once again open the doors of the old pumping station in Mannheim for his annual exhibition. Entitled ADVENTURE\, this year’s presentation centres on his latest works from the WANDERLUST series. The guest artist is sculptor Jan Thomas\, presented by Galerie Tammen\, Berlin. \n  \nOpening hoursFriday\, 2–7 pmSaturday and Sunday\, 11 am–4 pm \n  \nUnknown territory\n  \nADVENTURE is about setting out into unknown territory. It does not understand adventure merely as a spectacular event\, but as that particular moment when the familiar loses its certainty and something new is allowed to emerge. The exhibition leads into visual worlds situated between reality and imagination\, orientation and openness\, external landscape and inner experience. \n  \nIn Dietmar Brixy’s new WANDERLUST works\, mountain ranges\, horizons and organic formations rise from multilayered fields of colour. Some appear light and almost weightless\, while others emerge from the pictorial surface as powerful\, relief-like structures. Landscape is not presented as an identifiable place. Instead\, it becomes a projection space for memory\, longing and transformation. \n  \nThe paintings open up spaces that seem familiar without ever becoming fully recognisable. Paths begin to appear\, only to dissolve again. Distance and proximity continually shift. Colour becomes movement\, and material becomes landscape. In this way\, Brixy creates places of longing that cannot be found on any map\, but only take shape through the perception of the viewer. \n  \n \n Wanderlust\, 2026\, oil on canvas\, 180 x 240 cm \n  \nCreatures from a world not yet known\n  \nJan Thomas’s sculptures encounter Brixy’s painterly landscapes like creatures from a world not yet known. His figures move between human and animal\, myth and the present\, humour and unease. They evoke medieval imagery\, fantastical narratives and dreams without submitting to any single\, clearly defined story. Beneath their often enigmatic or initially threatening appearance\, an unexpected lightness repeatedly reveals itself. \n  \nThomas’s sculptures do not tell finished stories. Instead\, they create a space in which the viewer’s imagination begins to work. His hybrid creatures seem to contain multiple identities\, hidden personalities and new possibilities of existence. The longer one spends with them\, the more strongly they develop a presence of their own—and the more profoundly they transform the atmosphere of the space. \n  \n \nPandämonium II\, 2010/11\, wood\, height 203 cm \n  \nThe dialogue between these two artistic positions creates an exhibition devoted to discovery. Brixy’s paintings open up the landscape\, while Jan Thomas’s sculptures allow new creatures and narratives to emerge within it. ADVENTURE begins where certainties end—and where curiosity\, imagination and the willingness to embrace the unknown take their place. \n  \nExhibition dates25 September to 18 October 2026 \nOpening hoursFriday\, 2–7 pmSaturday and Sunday\, 11 am–4 pm \nVenueAltes Pumpwerk MannheimMarguerrestrasse 568199 MannheimGermany \nAdmission is free.
URL:https://brixy.de/en/event/brixy-adventure
LOCATION:Altes Pumpwerk Neckarau\, Aufeldstrasse 19\, Mannheim\, Baden-Württemberg\, 68199\, Deutschland
CATEGORIES:Exhibition,News
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